{"id":12539,"date":"2022-11-09T15:56:49","date_gmt":"2022-11-09T15:56:49","guid":{"rendered":"https:\/\/highclasswriters.com\/blog\/?p=12539"},"modified":"2022-11-09T15:56:51","modified_gmt":"2022-11-09T15:56:51","slug":"homers-odyssey","status":"publish","type":"post","link":"https:\/\/highclasswriters.com\/blog\/homers-odyssey\/","title":{"rendered":"Homer\u2019s Odyssey"},"content":{"rendered":"\n<p>Odysseus represents his experiences with sea dangers as encounters with the feminine and repeatedly tells of&nbsp;<\/p>\n\n\n\n<p>escaping these dangers when the threatening females eventually befriend him, after he survives or overcomes&nbsp;<\/p>\n\n\n\n<p>them\u201d (Schein 19). Discuss the representation of the &#8220;feminine&#8221; and womanhood in the Odyssey. Your essay should consider the portrayal of different feminine figures by analyzing at least two figures\u2014one of obstacle and one of help to the hero\u2019s return\u2014the ambiguity of these representations, as well as the ambiguities that imbue the character of Penelope. To what extent do these figures possibly reflect an anthropological depiction of the historical function of womanhood? To what extent do they become mythical? How do descriptions through \u201cthe senses\u201d (sight, hearing, touch, and smell) affect a gendered reading of these figures? Finally, does the feminine provide an alternative system of knowledge to male heroic culture? In discussing the section of the Great Wanderings, consider very carefully the level narration of Odysseus and the level of narration of the poet.<\/p>\n\n\n\n<p>Instructions<\/p>\n\n\n\n<p>close-reading and in-depth analysis of the material. Make sure that at least TWO of the episodes you discuss are analyzed in depth (not just \u201csummarized\u201d). Although specific, your discussion should show awareness of the larger context of the poem.<\/p>\n\n\n\n<p>Use&nbsp;Homer. The Odyssey. Trans. R. Fagles. New York: Penguin, 1996 as 1 source, the second source i will send to&nbsp;<\/p>\n\n\n\n<p>you after accepted<\/p>\n\n\n\n<p>on a seperate paper answer the following questions<\/p>\n\n\n\n<p>Analyze two scenes from the books of the Great Wanderings (Books 9-12)&nbsp; One scene should involve a seductress or female monster; the other should involve a welcoming or a hostile population. After your analysis, answer the following questions: What do we learn from the scenes of seduction and monstrosity? What do they say of ancestral human fears, desires, or anxieties? What do they say of xenia? Do you see any thematic connections with scenes of xenia presented in the Telemachy or the xenia performed by the Phaeacians? What connections are you able to identify between this section of the Odyssey (the Great Wanderings) and themes developed in folktales? Do you have any example from your personal readings or from popular culture?<\/p>\n\n\n\n<p>Discuss the second part of the Odyssey (books 13-24) with regard to the three following points: 1) In Book 19, Homer recounts the episode of boar-hunting in connection with Odysseus&#8217;s scar. Why is this story significant? If the&nbsp;<\/p>\n\n\n\n<p>whole purpose was to explain the reason for Odysseus&#8217;s scar, there would not have been the need to launch into&nbsp;<\/p>\n\n\n\n<p>such a long digression. What else is Homer addressing with regard to Odysseus? Hints: think about tattoos and&nbsp;<\/p>\n\n\n\n<p>scarring, voluntary or involuntary, as &#8216;inscriptions on the body&#8217; &#8230;. 2) Does Penelope correspond to the idealized version of Queen Arete? In what sense is she tied to Odysseus by homophrosyne? 3) How does Homer develop the theme of violence in the second part of the poem? What is significant of this representation?&nbsp; &nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Odysseus represents his experiences with sea dangers as encounters with the feminine and repeatedly tells of&nbsp; escaping these dangers when [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12539","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Homer\u2019s Odyssey - Highclasswriters<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/highclasswriters.com\/blog\/homers-odyssey\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homer\u2019s Odyssey - Highclasswriters\" \/>\n<meta property=\"og:description\" content=\"Odysseus represents his experiences with sea dangers as encounters with the feminine and repeatedly tells of&nbsp; 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