Read “Trans-national Necronarratives: Mourning, Vitality, and Non-reproductivity in Una mujer fantástica” and respond to the following question, in 250 words (FOR FIRST PAGE):

What are the dangers of universalizing Marina’s experiences in the film? How does the film make use of “white” identity”

Watch A Fantastic Woman (trigger warning: transphobic verbal abuse and physical violence) and respond to the following questions in 250 words.

Note the role of music in Marina’s ability to assert herself as a public person, where she is shut off other forms of publicness. Use one scene as an example and explain it?